Tracking With Immersive Music in Mind, Part 2
Unlike stereo recording, there are no ‘standard techniques’ for mic placement when capturing immersive music at its source— in the studio. So…let the innovations begin!
Unlike stereo recording, there are no ‘standard techniques’ for mic placement when capturing immersive music at its source— in the studio. So…let the innovations begin!
As InfoComm returns to Orlando in June, so do the long-running Best of Show Awards. Enter your products today!
The pro audio manufacturer’s new headquarters sports updated workspaces, an audio production suite and more.
High End TV's Symphony truck was recently updated with a Lawo mc²56 MkIII console.
Unlike stereo recording, there are no ‘standard techniques’ for mic placement when capturing immersive music at its source— in the studio. So…let the innovations begin!
Tyler, The Creator recently performed a Brooklyn pop-up show on a barge, with all FOH and monitor gear set up inside storage containers.
Live sound engineer Jesse Stojanovski tackles both FOH and monitor mixes for The Funeral Portrait on his Allen & Heath dLive CTi1500.
Music producer and composer Baby Brown discusses plug-ins used on projects like the Keanu Reeves show Brawn on Disney+.
The Bay Area’s 2200 Studios (formerly Record Plant Sausalito) now has an SSL Origin 32-channel analog in-line mixing console in its flagship Studio A.
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